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Japanese Voyeurs: That Love Sound/Blush (Slimeball Records 08/02/2010)
Written by Dave   
Wednesday, 10 February 2010
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Murkily blending the eerie eccentricity of Bjork with the grizzle, gnarl and feisty nature of Queen Adreena for ‘That Love Sound’ that represents one half of a chilling and captivating double AA side. It shows Japanese Voyeurs following on from their ear-opening and wayward debut EP. They combine the exotic, slight shrieking approach of Romily Alice with meaty bass hits and high profile percussion drills. With a coup de grace of neatly scattered, chilling ambient and atmospheric touches. It shows the adventure, grizzle and mood instilling touch of this London based quintet.

‘Blush’, gives more profile to the creepy atmospheric intro’ approach, before contrasting it neatly with metal bordering guitar licks and the more whining vocal lag of Alice. A grinding instrumental approach helps to further the sinister vibe given off by the lurid vocal projection, completing a meaty and enticing track. Japanese Voyeurs possess gnarl, moodiness and eccentricity to make them a bold and daring prospect.

www.myspace.com/japanesevoyeurs

Rating: 4/5
 
Basia Bulat: Hear Of My Own (Rough Trade 25/01/2010)
Written by Dave   
Sunday, 24 January 2010
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Photo: Bobby Bulat


Right from the start of this reflective and inner-peace seeking 2nd album it is prevalent that Basia Bulat has exchanged some of the carefree, enchanted abandon of her debut album, ‘Oh, My Darling’. For a deeper, duskier and more searching mood, as the marching percussion scattered ‘Go On’ testifies. The vocals linger in a mildly murky fashion to convey a hint of desperation and bemusement. That said, the stirring string inspired ‘Gold Rush’, starts off from a winding folk beginning, to embolden into an energetic, mild cacophonous, choral backing vocal inclusive parade. Bulat’s narrative is engaging and ranging, giving this mini-epic boldness and heart that is covered with a veil of darkness.

 The winding acoustic mastery of this thoughtfully poetic Canadian is decorated with her stern, yet warming vocal touch for the bracing title track. The lyrics display worrisome, emotive leanings:

“ For every word I could undo, I’ve been uncrossed and I’ve bin untrue.

  I’ve bin down, I’ve bin hard, the heart of my own burnt down low.”

Much musing is the order of the day in this twelve track foray, as a lucidly slower delivery style is generally opted for in this heart-tugging follow up. Subtle strings spindle alongside a slightly forlorn lag in ‘Sparrow’, whereby folk is stripped down to its basic qualities.

Bulat, deliberately, or not? Is giving more profile to her vocals this time around, often hovering to wretch out the  air of regret and the touches of egocentrism that’s as noticeable as blobs of ink on blotting paper, at times, ‘I’m Forgetting Everyone’ . Almost Orwellian nostalgia is espoused with help from patting percussion and a slow turning acoustic touch, ‘Once More For The Dollhouse’. This is juxtaposed with ‘Walk You Down’, when the carefree touch of the debut album returns for a bounding and carefree pop jaunt.

Basia Bulat now has two albums of ranging material from which to spice up her already much lauded and enchanting live sets.

www.basiabulat.com

www.myspace.com./basiabulat

Rating; 4/5

Catch Basia Bulat live:  27/01/2010: The Underbelly, Hoxton.
 
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